*Dolly wrote this for the 1980 film of the same name. The film, which was Parton's acting debut, starred Jane Fonda, Lily Tomlin, Parton, and Dabney Coleman and deals with life in an American office, where the workday was 9 a.m. to 5 p.m. She wrote the song while the movie was filming.
In a 2009 interview with
60 Minutes, Parton talked about the unlikely inspiration for this song: her fingernails. She had very long, acrylic nails, and discovered that when she rubbed them together, she could create a rhythm that sounded like a typewriter, and since the movie was about secretaries, she was able to use that sound to compose the song on the set. She even played her fingernails as part of the percussion sound when she recorded the track. Both the film and the song "9 to 5" exposed gender inequity in the workplace. It was done for laughs, which was the only way it could reach a mass audience, but still made a strong statement, with three female leads taking on their stereotypically disparaging boss.
The song has a jaunty tone that fits the movie, but the lyrics ring true for many women:
They just use your mind and they never give you credit
It's enough to drive you crazy if you let itParton was more than qualified to write these lines, having conquered the male-dominated world of country music with extraordinary tact and ambition.
"9 to 5" didn't start any kind of movement, but did push the issue forward. When the #metoo uprising took shape, it became a touchstone to measure progress - women were still earning considerably less than men and dealing with an often-criminal level of disrespect. This was a huge crossover hit for Parton, who expanded her audience to the world of mainstream pop. Years later, many country music artists, especially female singers like Faith Hill and Shania Twain, followed Parton's lead and made headway on the pop charts.
At different points in the song, you can hear the sounds of some tapping followed by a bell. This was the sound of a typewriter, which was the tool of the trade for secretaries in 1980. The bell told the typist that she was nearing the end of the page and needed to return the carriage to the left and start a new line. Typewriters were eventually replaced with word processors and computers, making these sounds obsolete.
This song won the 1981 Grammys for Best Country Song and Best Country Vocal Performance, Female; it also received a Grammy nomination for Best Album Of Original Score Written For A Motion Picture Or Television Special and received Oscar and Golden Globe nominations. It also won the People's Choice Award for Favorite Motion Picture Song.This song got the Andy Samberg treatment in a 2010 episode of
Saturday Night Live where in a digital short, they turned the song into "Stumblin'." The bit featured Samberg and Paul Rudd stumbling all over Manhattan to a reworked version of this song. Paul McCartney, who was the musical guest on the show, appears in the short doing a very random, tiny harmonica solo.
The film
9 to 5 was turned into TV series that ran five seasons from 1982-1988. The song was used as the theme, initially with Phoebe Snow singing it, then replaced with Parton's version later on. The cast changed a lot throughout the run, with Jeffrey Tambor, Rita Moreno, Sally Struthers and Valerie Curtin among the participants.
In 2009, the franchise was revived with a Broadway musical that opened and closed with ensemble renditions of the song. This production starred Allison Janney and Megan Hilty.
(Knowledge courtesy of Songfacts.com)
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